Fitting Abstraction

Fitting Abstraction merges atmospheric and documentary elements, featuring an analog interface powered by unique information. Eight spatial conceptual diagrams, representing fundamental architectural values, span the installation's depth, chronologically covering a century. Inspired by modernist principles and local substrates, the installation utilizes white powder-coated steel bars as structural elements, integrating exhibition materials and LED lighting. It follows a modernist tradition exemplified by the Yugoslav Pavilion at the XIII Milan Triennial in 1964, designed by Vjenceslav Richter. Completely self-sufficient and demountable, the installation offers a plug-and-play experience.

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Co-authors: Igor Ekštajn, Kristina Jeren